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This title follows Hitchcock and Hayes through each film, from initial discussions to completed picture. The book also reveals the personal story - laced with humour, jealousy and frustration of how these two very different men worked together. In spring , the great director Alfred Hitchcock made the pivotal decision to take a chance and work with a young writer, John Michael Hayes. The four films.
Sort order. Mar 02, Russio rated it really liked it. The behind the scenes detail is the fascinating part, along with many nuances of how Hayes writes. The zooming in and out of each man's biography also works well in creating a simultaneity.
In this regards, this is a must for any serious Hitchcock fans. The flaws are twofold: 1 In positing the relationship as an incredibly creative one, nee, a zenith for Hitchcock, the book draws upon The Wrong Man as evidence of a creative slump following the partnership, yet fails, in doing so, to explain away the even giddier heights of NBNW, Psycho, etc. It then draws upon other disgruntled writers in order to score points for Hayes off of Hitch.
Now, what Hayes says is probably partly true but you don't get a canon like Hitchcock's without being something very special in yourself, as Hayes's subsequent career shows indelibly. Now, few who have seen Rear Window who disagree with it's status as such, but the others are much more open to question, with To Catch a Thief being turgid in my opinion , Harry zany and well worth watching and TMWKTM being a fun remake of an originally classic movie. Nonetheless, between the odd spur grimace, a fun read. View 1 comment.
Nov 01, Robin rated it really liked it. Author Steven DeRosa offers a fascinating insight into how this relationship worked, with analysis of how the scripts were John Michael Hayes came along to four films for Alfred Hitchcock at a time when the legendary Master of Suspense had just had a run of flops including Under Capricorn, Stage Fright, I Confess.
Author Steven DeRosa offers a fascinating insight into how this relationship worked, with analysis of how the scripts were developed and refined, and later in the book, how Hitch directed passages of the films. For anyone interested in scriptwriting, the book has terrific lessons and observations. Its other value is as an account of how these two men met, worked and produced, for a time, a run of cinematic magic. Sadly, Hitchcock was something of a jealous mentor and the partnership ended badly. But it was sweet, and produced sizzling thrillers while it lasted.
Dec 14, Mediaman rated it liked it. This interesting book about a writer of four of Alfred Hitchcock's films is a good idea for a book but falls short of success.
It focuses on only certain aspects of each movie and doesn't offer a complete analysis of the screenwriting process. John Michael Hayes may be an interesting person but we learn little about him in this book--we know he wrote four of the better Hitchcock movies, but only Rear Window is a classic. It gets the largest portion of the book and is the best section. After This interesting book about a writer of four of Alfred Hitchcock's films is a good idea for a book but falls short of success. After reading the book I immediately watched the movie and found the book helpful in some aspects but deeply lacking in others, coming up short in a detailed analysis of why certain choices were made in making the movie.
This book provides some interesting behind-the-scenes information about each but doesn't give you enough to satisfy your curiosity.
Trouble With Harry gets very little space here, which reflects the weakness of the film. Most disappointing is how the Man Who Knew Too Much section basically gives dozens of repetitive unused plot possibilities that were tossed out while spending less time dealing with how the final choices were made for what appears on the screen. The book does give some great insight into how movies are made: the "writer" is only one of many contributors to the final screenplay with Hitchcock changing scripts at will.
And some of the things he is best known for were really not his ideas at all.
There probably is an interesting story here about how Hayes and Hitchcock worked together but it doesn't get fully told here. Worth reading for Rear Window fans but those that expect a more detailed anaylsis may be disappointed. Oct 25, Ed rated it really liked it.
I've had this book on my shelf for a while along with about a dozen others but some more non-fiction seemed in order. John Michael Hayes wrote four consecutive movies with Hitchcock, more than any other writer. After Rear Window was released and was a huge hit, Hayes began to get recognition from the press and award nominations. After that, his days with Hitchcock were numbered.
It's too bad," notes DeRosa, "because the films they made together were the pinnacle of sophistication and suspense at the movies. For more information visit writingwithhitchcock. Media Contact: Veronica Louis veronica cinescribemedia. We look for strong writing, an original approach, and intelligence in concept and execution. Submit Release.
The mock-documentary is a largely played-out genre, all too often used as vehicle for cheap satire or puffed-up intrigue. Events that ultimately lead to one of the most memorable and gripping endings in film history. Lasky and Robert A. Add a comment. A Perfect Treatment.
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